1080 Keewatin St,
Thunder Bay, ON, P7B 6T7

September 23, 2021 - November 21, 2021

Wednesday, September 22

Itee Pootoogook Curator Talk

Join Dr. Nancy Campbell, curator of the exhibition Itee Pootoogook: Hymns to the Silence, for a 30 minute presentation followed by an informal, socially distanced “‘mix & mingle”.Β  Seating is limited.

Session 1: 3 – 4:15 PM

Session 2: 7 – 8:15 PM

Call the Gallery at 577-6427 to reserve your seat!

This is a in-person event.

Dr. Nancy Campbell Biography

With a PhD from York University, analyzing the drawings of third generation Inuit Art, Dr. Nancy Campbell has been an independent curator and writer on contemporary and Inuit art since 1993, working as a curator and director for a number of prestigious institutions, Nancy has produced numerous exhibitions including a three-part series at the Justina M. Barnicke Gallery, that connected Inuit art with the Canadian contemporary mainstream, as well as the landmarkΒ Annie PootoogookΒ at The Power Plant in Toronto.

 

 

This exhibition of the art of Itee Pootoogook (1951–2014) gathers together more than 60 drawings from the late artist’s body of work and is the first full-scale retrospective of his art. As one of the key members of the third generation of Inuit artists from Kinngait (Cape Dorset), Itee contributed to the transformation of the creative traditions inherited from his elders at the West Baffin Eskimo Co-operative’s Kinngait Studios. The son of artists Ishuhungitok and Paulassie Pootoogook, cousin of Annie Pootoogook and nephew of Kananginak Pootoogook, he began his artistic practice in the 1970s with an experiment in film animation, later adopting drawing as his medium of choice. By the late 1990s, he was actively involved in his newfound career as a graphic artist at Kinngait Studios.

 

VISIT EXHIBITION WEBPAGE

 

Itee Pootoogook (1951 ‑ 2014)
Valley 2011
Coloured pencil and graphite on black paper
50.2 x 65 cm
Gift of Christopher Bredt and Jamie Cameron
McMichael Canadian Art Collection

 

α‘•α’ͺᓐᓇ α‘•α‘―α‘¦α“΄α…α‘Žα‘¦α“―α“‚α…α”ͺα–… ᓴᓇᐅᒐᖏᓐᓂᒃ αŠαƒα‘ ᐳᑐᒍᖅ (1951–2014)
α‘²α‘Žα–…α“±α–…α‘•α…α“―α’ͺα‘¦α“±α‘Žα’ƒ ᐅᖓᑖᓃᑦᑐᑦ 60 α‘Žα‘Žα–…α‘α’αƒα‘¦ α‘Žα‘Žα–…α‘α’α–…α‘Žα…α“šα…α–…α“―α’ͺᔫᑉ α‘Žα‘Žα–…α‘α’α–…α“―α’ͺᔭᖏᓐᓂᒃ α“―α•—α“ͺᓕᖅᐸᐅᑦᓱᓂᓗ α•Ώα’₯α•α•ˆα“‚α–… αŠα‘•α–α–…α“±α’‹α‘¦ α‘Žα‘Žα–…α‘α’α–…α“―α’ͺᔭᖏᑦ. αƒα“šα’‹α”­α“ͺα“—αŠα‘•α…α“ͺα“—α“‚ ᐱᖓα”ͺᒋᔭᐅα”ͺᓄᑦ α‘­α–‘α•šα–‘α”ͺᓄᑦ ᐃᓄᓐᓄᑦ α“΄α“‡α…α’α–…α‘Žα“„α‘¦ ᑭᙡᕐᓂᒃ, αŠαƒα‘ ᐃᑲα”ͺα–…α“―α“―α’ͺα“ͺα“šα•†α‘¦α‘α‘¦ αŠα“―α”Ύα”¨αΈα“ͺα“•αŠα“‚α–α“α“„α‘¦ ᓴᓇᑐᓂᒃᑯᑦ ᐱᐅᓯᐅᖃᑦᑕᖅᓯα’ͺα”ͺα–… ᐱᓯα’ͺᔭᖏᑦ ᐃᓄᑐᖃᕐα’₯α“‚α’ƒ ᑭᙡᐃᑦ α‘―αŠαΈα’ƒα‘―α–α“α“‚ α‘Žα‘Žα–…α‘α’α•α••α“α“‚. ᐃᓂᕆᔭᐅα“ͺα“—α“‚ α“΄α“‡α…α’α–…α‘Žα“„α‘¦ ᐃᓱᖃᙱᑦᑐᖅ αŠα’»α’ͺα“— ᐸᐅᓛᓯ ᐳᑐᒍᖅ, αŠα“‚α‘¦α“΄α•†α”­α…α“ͺα“—α“‚ αŠα“‚ ᐳᑐᒍᕐᒧᑦ α–ƒα–αŠα•†α”­α…α“ͺα“—α“‚α“— α‘²α“ˆα–α“α“ˆ ᐳᑐᒍᕐᒧᑦ, ᓴᓇᖃᑦᑕᐸα“ͺα“•αŠα“•α“šα…α–…α“―α’ͺα”ͺα–… 1970βˆ’α–α“α“‚ α†α‘¦α‘α•‹α•ˆα‘Žα–ƒα–…α“±α“‚ ᑕᕐᕆᔭᓕᐅᕐᓂᕐα’₯α’ƒ, α…α•™α‘¦α“―αŠα•ˆα•ˆα•†αŠα•α’ͺᑦ α‘Žα‘Žα–…α‘α’α•α“‚α•α’₯α’ƒ α“‚α•ˆαŠα•α“‚α–…α“΄α…α“•α–…α“±α“‚. 1990 ᓄᙳᖅᐸᓯᖏᓐᓂ, α‘Žα‘Žα–…α‘α’α–…α‘Žα“ͺα“šα•†α…α“•α“šα…α–…α“―α’ͺα”ͺα–… ᑭᙡᐃᑦ α‘Žα‘Žα–…α‘α’α•α••α–α“α“‚.

Exhibition Organizer

McMichael Canadian Art Collection Logo

This exhibition was organized and circulated by the McMichael Canadian Art Collection

Guest curated by Dr. Nancy Campbell