Dakobinaawaswaan

GREAT LAKES REGION

In the Great Lakes region, the environment is staggering. Many of the tribes such as the Anishnaabeg people were nomadic according to the seasons. Cradleboards were innovative for survival on the land and travelling long distances with babies. Natural materials such as hard wood and birch bark were essential to the design of the cradleboard.

Cradles of the Great Lakes communities such as Anishnaabeg, Cree, and Haudenosaunee and Métis share similar cradleboard features, for instance, the use of bows. Although similar, they are unique in their own style and imagery.

Two common types of tikinagaans of the Anishnaabeg use backboards of cedar or birch bark. An important part of the tikinagaan design is the moss bag, which is used to wrap a baby before putting them into a cradleboard. This is very beneficial for the baby as it also provides first lessons of life such as love, discipline, and protection. The design elements often include floral imagery representative of the land and family design.

NORTHWEST COAST

The Northwest Coast communities such as Haida Gwaii and Tlingit are situated on the Pacific Coast, including islands and archipelagos.

Natural materials like cedar and roots are commonly used for the cradles. Through specialized weaving techniques, basket cradles are fashioned with imbricated (overlapping) cedar strips dyed using a natural root.

Renowned for their bentwood box techniques, artists have the Northwest Coast have applied these skills to cradles. The bentwood box cradle displayed here is an oval shaped box with seven sides and a defined top piece. This technique involves using a continuous piece of wood shaped with steam. Having only one seam helps to make the cradleboard waterproof.

PLAINS

The Plains tribes including the Lakho’ta (Lakota), Apsáalooke (Crow), Tsitsistas (Cheyenne), Numunuu (Comanche) and many more, are distinguished by their fully beaded cradles. Backboards, parfleche, and smoked, tanned hide are highly decorated with natural materials such dyed porcupine quills and traditionally traded goods such as beads and brass. Geometric designs, as well horses and buffalo are common motifs that depict cultural values and represent family histories.

Some of the cradles have stylized wooden bars or slats. It is believed this style of cradle originated from one tribe and spread naturally to others. This design was useful for hanging on a saddle or for leaning against trees.

There are several soft cradles that are fully beaded and beautifully embellished with ribbons, bells, and elk teeth. Many soft cradles are also detachable from their wooden backboard. Owning or making a fully beaded soft cradle was a great source of pride for mothers, families and communities; it was a way to honour the baby while demonstrating artistry and skill.

PLATEAU

The Plateau region represents communities including Yakima (Yakama), Nimipuutímt (Nez Perce), Schitsu’umsh (Coeur D’alene) and Sélis (Salish) coastal communities. The Plateau is located in-between two mountain ranges inland from the Pacific West Coast.

Cradleboards of Plateau are highly distinguished by the use of natural and trade materials such as beads and textiles. Generally, the backboard has an elongated, oval shape. There are two different designs for hoods. One features a woven hood made from twigs that usually incorporates the use of beads. Another design has a moveable bow for convenience. The board is often covered with hide decorated with beadwork across the top and embellished with strings of hide.

CALIFORNIA

Tribes in California such as Nyyhmy (western Mono Lake Paiute) Pomo, Numa, and Nuwui are well-known for their intricate woven patterns made from natural materials such as willow, twigs, marsh grass, and reeds.

Weaving techniques for these cradles are brilliant and innovative. The decorative element of an intricate, tightly woven pattern speaks to cultural customs and relationship with the land. Prior to making the cradle, members of the community gathered and prepared materials. For instance, when gathering twigs, care and attention went into cutting, shaping and bending the materials before putting the cradle together.

Many of these cradles look delicate but they are extremely strong and durable. A design feature is a patterned, woven hood that protects a baby from the sun, wind, and heat. In this region, there are two types of cradles; one is a “receiving cradle” for newborns with a woven bow. A child grows quickly into another style of cradle which has an intricate designed woven hood.

TOY CRADLES