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Bob Boyer, A Postcard For Martha Stewart, (detail), 1998, oil on burlap, 183 x 244 cm, Collection of the Thunder Bay Art Gallery, Purchased with the support of the Canada Council of the Arts, Acquisition Assistance Program, and funding from the Walter and Duncan Gordon Foundation 1998.

Permanent Collection Spotlight: Bob Boyer

Bob Boyer

(Born 1948, Prince Albert Saskatchewan – Died 2004, Sioux Falls, South Dakota)

As a Métis artist, Bob Boyer’s painting bears the mark of a dual cultural perspective, one that alternates between the Plains Indian imagery of his Native heritage and the European tradition that provides him with the vocabulary of abstraction. Boyer’s work has been informed by colour field painting, specifically by the non-representational and experimental work of the Regina Five group in the 1960’s. His first works were painterly, semi-abstract depictions of ceremonial and everyday objects used by Native People, borrowing design elements of traditional hide paintings and beadwork.

Boyer has used a variety of media throughout his career, although he is probably best known for his blanket paintings. In the 1980’s he replaced the traditional canvas surface with that of a blanket, addressing the political issues of Native History in Canada, painting scenes alluding to injustice, betrayals, defeats, and environmental destruction. By the mid-1990’s Boyer had shifted his focus, choosing instead to encourage the perpetuation and celebration of Native culture. He believes that the time has come for Native people to look beyond the conflicts imposed by Western culture

(Source: National Gallery of Canada): https://www.gallery.ca/en/see/collections/artist.php?iartistid=659

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